Art Journal Fall 2014

Art Journal Fall 2014

Volume 73, Issue 3
Journal: Art Journal

The Fall 2014 issue of Art Journal

Title information

Doing It Yourself: Machines, Masturbation, and Andy Warhol, 5|The Groupe de Recherche d’Art Visuel against the Technocrats, 18| Dead Boars, Viruses, and Zombies: Roberto Jacoby’s Art History, 38| Island Culture Wars: Selden Rodman and Haiti, 56| REVIEWS: Megan Driscoll on John P. Bowles, Adrian Piper: Race, Gender, and Embodiment; Lauren Taylor on Bridget Cooks, Exhibiting Blackness: African Americans and the American Art Museum; Anthony E. Grudin on Blake Stimson, Citizen Warhol; Sampada Aranke on Huey Copeland, Bound to Appear: Art, Slavery, and the Site of Blackness in Multicultural America “Some Tools for Radical Pedagogy,” an annotated bibliography by the Pedagogy Group

Pages: 100
Publisher: College Art Association
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The mission of Art Journal, founded in 1941, is to provide a forum for scholarship and visual exploration in the visual arts; to be a unique voice in the field as a peer-reviewed, professionally mediated forum for the arts; to operate in the spaces between commercial publishing, academic presses, and artist presses; to be pedagogically useful by making links between theoretical issues and their use in teaching at the college and university levels; to explore relationships among diverse forms of art practice and production, as well as among art making, art history, visual studies, theory, and criticism; to give voice and publication opportunity to artists, art historians, and other writers in the arts; to be responsive to issues of the moment in the arts, both nationally and globally; to focus on topics related to twentieth- and twenty-first-century concerns; to promote dialogue and debate. The journal, which welcomes submissions from authors and artists worldwide and at every career stage, is published four times a year in spring, summer, autumn, and winter by the College Art Association.