Art Journal 2006

Art Journal 2006

The mission of Art Journal, founded in 1941, is to provide a forum for scholarship and visual exploration in the visual arts; to be a unique voice in the field as a peer-reviewed, professionally mediated forum for the arts; to operate in the spaces between commercial publishing, academic presses, and artist presses; to be pedagogically useful by making links between theoretical issues and their use in teaching at the college and university levels; to explore relationships among diverse forms of art practice and production, as well as among art making, art history, visual studies, theory, and criticism; to give voice and publication opportunity to artists, art historians, and other writers in the arts; to be responsive to issues of the moment in the arts, both nationally and globally; to focus on topics related to twentieth- and twenty-first-century concerns; to promote dialogue and debate. The journal, which welcomes submissions from authors and artists worldwide and at every career stage, is published four times a year in spring, summer, autumn, and winter by the College Art Association.

Series information

Art Journal Spring 2006

Positionings| The Shiny Illusionism of Krauss and Judd| Uneasy Bedfellows: Canonical Art Theory and the Politics of Identity| Lilla LoCurto and William Outcault: Self-Portraits for a New Millennium| Forum: Eco-tistical Art| Bordering on Cultural Vislon(s): Jay Dusard's Collaboration with the Border Art Workshop/Taller de Arte Fronterizo| Mediating Political “Things,” and the Forked Tongue of Modern Culture: A Conversation with Bruno Latour| Reviews

Art Journal Summer 2006

Art That Insists—Persistence with Urgency| Breaking and Entering| The Hegelian Implications of the Museum of Sex; or, Does MoSex Mean No Sex?| The Trouble with (the Term) Art| Diasporic Body Double: The Art of the Singh Twins| A Conversation on Social Collaboration| No Ideas but in Things: Photography at Learning's Limit| Israeli Holocaust Memorial Strategies at Yad Vashem: From Silence to Recognition| The Studio-Art Doctorate in America| Reviews

Art Journal Fall 2006

Remediations—Re-Viewing Art| Alien Duration: Tehching Hsieh, 1978-99| The Role of the University Art Museum and Gallery| Grayscale Video and the Shift to Color| Video: From Technology to Medium| “A demo tape on how to play video on the violin”| The Temporalities of Video: Extendedness Revisited| Homer Simpson as Outsider Artist, or How I Learned to Accept Ambivalence (Maybe)| Reviews| WarCrawl

Art Journal Winter 2006

Positionings| Elsewhere in Contemporary Art: Topologies of Artists' Works, Writings, and Archives| Journeys, Documenting, Indexing, Archives, and Practice-Based Research: A Conversation with susan pui san lok| Publishing Paradigms in Art History| Art History and Its Publishers| Art History and the Digital World| The Watery Turn in Contemporary Chinese Art| Gandhi's Body and Further Representations of War and Peace| Medellin, Colombia: Reinhabiting Memory| Thoughts on Graduate Studio Education| Reviews