Art Journal 2005

Art Journal 2005

The mission of Art Journal, founded in 1941, is to provide a forum for scholarship and visual exploration in the visual arts; to be a unique voice in the field as a peer-reviewed, professionally mediated forum for the arts; to operate in the spaces between commercial publishing, academic presses, and artist presses; to be pedagogically useful by making links between theoretical issues and their use in teaching at the college and university levels; to explore relationships among diverse forms of art practice and production, as well as among art making, art history, visual studies, theory, and criticism; to give voice and publication opportunity to artists, art historians, and other writers in the arts; to be responsive to issues of the moment in the arts, both nationally and globally; to focus on topics related to twentieth- and twenty-first-century concerns; to promote dialogue and debate. The journal, which welcomes submissions from authors and artists worldwide and at every career stage, is published four times a year in spring, summer, autumn, and winter by the College Art Association.

Series information

Art Journal Spring 2005

Art of Attention| Transgressive Transcendence in the Photographs of Rotimi Fani-Kayode| The New Iconoclasm| Slasher Story| After the End: Strategies of Resistance| The Looking for Miss Black Factory Contest| Identity Roller Coaster| From Form to Platform: The Politics of Representation and the Representation of Politics| Then and Now: Whitney Biennial 1993| Ordering the Universe: Documenta II and the Apotheosis of the Occidental Gaze| Identity Exhibitions: From Magiciens de la terre to Documenta II| New-Media Art Education and Its Discontents| Reviews| Correction

Art Journal Summer 2005

Questions of Seeing| Respeaking Othello in Fred Wilson's Speak of Me as I Am| Nothingness Made Visible: The Case of Rothko's Paintings| Art History Survey: A Round-Table Discussion| After the End: A Modest Proposal| Tourist/Refugee| “Bye, Bye Black Girl”: Lorna Simpson's Figurative Retreat| Touring the Archive, Archiving the Tour: Image, Text, and Experience with the Center for Land Use Interpretation| Torture Culture: Lynching Photographs and the Images of Abu Ghraib| Reviews

Art Journal Winter 2005

Reconciliations: New Views and Re-views| Mary Lum's Remains of the Day| 64 Scenes| Perceptions at Play: Giacometti through Contemporary Eyes| P. T. Reddy, Neo-Tantrism, and Modern Art in India| Some Introductory Ideas| Where Are the Drugs?| A Wastrel's Progress and the Worm's Retreat| Scrolls, Boxes, and Trees: Manuela Filiaci's Work| Forum on Latin American Art Criticism| Matting the Monochrome: Malevich, Klein, and Now| Systematic Inexhaustion| Reviews