The Art Bulletin 2013

The Art Bulletin 2013

The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year: in March, June, September, and December. The Art Bulletin is published in print and online and is available as a benefit of membership in CAA.

Series information

Art Bulletin March 2013

Regarding Art and Art History| Notes from the Field: Materiality| Sites That Have Mattered: Svetlana Alpers in Conversation with Stephen Melville| Meaningful Spectacles: Gothic Ivories Staging the Divine| Ingres's Shadows| Cézanne's “Primitive” Perspective, or the “View from Everywhere”| What's in a Name? Photography and the Reinvention of Visual Truth in China, 1840–1911| Process/Procession: William Kentridge and the Process of Change| Reviews

Art Bulletin June 2013

Regarding Art and Art History| Notes from the Field: Mimesis| Fantasies and Foreign Contact in the Art History of Japan: Timon Screech in Conversation with Yukio Lippit| An Émigré Art Historian and America: H. W. Janson| From Print to Trace: An Ottoman Imperial Portrait Book and its Western European Models| Martin Meurisse's Theater of Natural Philosophy| Henry Raeburn's Portraits of Distant Sons in the Global British Empire| The Cultural Politics of the Brushstroke| Reviews

Art Bulletin September 2013

Regarding Art and Art History| Notes from the Field: Time| A “Virtual Cosmopolis”: Partha Mitter in Conversation with Keith Moxey| Graphic Knowledge: Albrecht Dürer and the Imagination| Gothic Architecture, Sexuality, and License at Horace Walpole's Strawberry Hill| Rhetorics of Place and Empire in the Fountain Sculpture of 1830s Havana| Tanaka Atsuko's Electric Dress and the Circuits of Subjectivity| Reviews| Erratum

Art Bulletin December 2013

Regarding Art and Art History| Notes from the Field: Tradition| The Sense of the past and the Writing of History: Stephen Bann in Conversation with Karen Lang| Vasari on the Jews: Christian Canon, Conversion, and the Moses of Michelangelo| “Precisely these Objects”: Frederic Church and the Culture of Detail| Awa Tsireh and the Art of Subtle Resistance| Swadeshi Color: Artistic Production and Indian Nationalism, ca. 1905–ca. 1947| Reviews| Letter to the Editor| Index to Volume XCV