The Art Bulletin 2006

The Art Bulletin 2006

The Art Bulletin publishes leading scholarship in the English language in all aspects of art history as practiced in the academy, museums, and other institutions. From its founding in 1913, the journal has published, through rigorous peer review, scholarly articles and critical reviews of the highest quality in all areas and periods of the history of art. Articles take a variety of methodological approaches, from the historical to the theoretical. In its mission as a journal of record, The Art Bulletin fosters an intensive engagement with intellectual developments and debates in contemporary art-historical practice. It is published four times a year: in March, June, September, and December. The Art Bulletin is published in print and online and is available as a benefit of membership in CAA.

Series information

Art Bulletin March 2006

The Boy in Bed: The Scene of Reading in N. C. Wyeth's Wreck of the “Covenant”| Response: Romancing the Modern: Nemerov, Wyeth, and the Limits of American Art History| Response: Seeing and Reading N. C. Wyeth and Robert Louis Stevenson| Response: On Subliminal Iconography| Response: On Feminine Phantoms: Mother, Child, and Woman-Child| The Author Replies| Visual Formula and Meaning in Neo-Assyrian Relief Sculpture| The Natural History of Man and the Politics of Medical Portraiture in Manchester| Photography by Other Means? The Engravings of Ferdinand Gaillard| On the Limits of Empathy| Freud's Moses of Michelangelo: Vasari, Photography, and Art Historical Practice| Book Reviews| Books Received: (August–September 2005)

Art Bulletin June 2006

Framing the Sun: The Arch of Constantine and the Roman Cityscape| A Renaissance Audience Considered: The Nuns at S. Apollonia and Castagno's Last Supper| The Discourse of Failure in Seventeenth-Century Rome: Prospero Bresciano's Moses| The “Ghosting” of Incest and Female Relations in Harriet Hosmer's Beatrice Cenci| The Uncharted Kahn: The Visuality of Planning and Promotion in the 1930s and 1940s| Judaic Threads in the West African Tapestry: No More Forever?| Andy Warhol's Silver Elvises: Meaning through Context at the Ferus Gallery in 1963| Book Reviews| U.S. and Canadian Dissertations, 2005| Books Received: (October-December 2005)

Art Bulletin September 2006

Herri met de Bles's Sleeping Peddler: An Exegetical and Anthropomorphic Landscape|Sex and Spirituality in 1500s Rome: Sebastiano del Piombo's Martyrdom of Saint Agatha| Treasuring the Gaze: Eye Miniature Portraits and the Intimacy of Vision| Allan Ramsay's Enlightenment: Or, Hume and the Patronizing Portrait| Ingres's Studio between History and Allegory: Rachel, Antiquity, and Tragédie| Woman with a Fan: Paul Gauguin's Heavenly Vairaumati—a Parable of Immortality| A Newer Protagoras| Exhibition Review| Book Reviews| Books Received: January-March 2006

Art Bulletin December 2006

The Performative Icon| Building Churches in Armenia: Art at the Borders of Empire and the Edge of the Canon| Lesser Brothers: Franciscan Mission and Identity at Assisi| A Point “Ceaselessly Pushed Back”: The Origin of Early Netherlandish Painting| Théophile Silvestre's Histoire des artistes vivants: Art Criticism and Photography| Framing St. Peter's: Urban Planning in Fascist Rome| Book Reviews| Books Received: April–June 2006| Reviews Online: (May–July 2006)| Index to Volume LXXXVIII, 2006