Art Journal Spring 2014

Art Journal Spring 2014

Volume 73, Issue 1
Journal: Art Journal

The Spring 2014 issue of Art Journal

Title information

Connecting the Dots/Hijacking Typography| Dada Dance: Sophie Taeuber's Visceral Abstraction| On Barnett Newman's The Wild| Fugitive Lines: Nasreen Mohamedi, 1960–75| Pink, White, and Black: The Strange Case of James Rosenquist's Big Bo| The Aesthetic Gold of a Ravished Spouse of the Godhead| Qualifying the Digital| Beyond Technology and Representation: What Can Interactive Art Do?

Pages: 84
Publisher: College Art Association
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The mission of Art Journal, founded in 1941, is to provide a forum for scholarship and visual exploration in the visual arts; to be a unique voice in the field as a peer-reviewed, professionally mediated forum for the arts; to operate in the spaces between commercial publishing, academic presses, and artist presses; to be pedagogically useful by making links between theoretical issues and their use in teaching at the college and university levels; to explore relationships among diverse forms of art practice and production, as well as among art making, art history, visual studies, theory, and criticism; to give voice and publication opportunity to artists, art historians, and other writers in the arts; to be responsive to issues of the moment in the arts, both nationally and globally; to focus on topics related to twentieth- and twenty-first-century concerns; to promote dialogue and debate. The journal, which welcomes submissions from authors and artists worldwide and at every career stage, is published four times a year in spring, summer, autumn, and winter by the College Art Association.