Art Journal 2004

Art Journal 2004

The mission of Art Journal, founded in 1941, is to provide a forum for scholarship and visual exploration in the visual arts; to be a unique voice in the field as a peer-reviewed, professionally mediated forum for the arts; to operate in the spaces between commercial publishing, academic presses, and artist presses; to be pedagogically useful by making links between theoretical issues and their use in teaching at the college and university levels; to explore relationships among diverse forms of art practice and production, as well as among art making, art history, visual studies, theory, and criticism; to give voice and publication opportunity to artists, art historians, and other writers in the arts; to be responsive to issues of the moment in the arts, both nationally and globally; to focus on topics related to twentieth- and twenty-first-century concerns; to promote dialogue and debate. The journal, which welcomes submissions from authors and artists worldwide and at every career stage, is published four times a year in spring, summer, autumn, and winter by the College Art Association.

Series information

Art Journal Spring 2004

Aesthetic Practices| Between You and Me: Man Ray's Object to Be Destroyed| Joan Miró's Drawing-Collage, August 8, 1933: The “Intellectual Obscenities” of Postcards| Strategic Visuality: A Project by Four Artist/Researchers| Recording California's Carceral Landscapes| The Speculative Archive: Addendum: as Though There is Nothing Else on the Drawing Board| Outside View of The Grafter's Shack at Wave Hill| Center for Tactical Magic| Origins of Virtualism: An Interview with Frank Popper| What the Structure Defines: An Interview with Kutlug Ataman| Reviews

Art Journal Summer 2004

Questions of Influence: Influence of Questions| Hip-Hop vs. High Art: Notes on Race as Spectacle| Aesthetic/Anti-Aesthetic: An Introduction| Kalliphobia in Contemporary Art| Beauty Knows No Pain| Readymade, Found Object, Photograph| Tactile Dematerialization, Sensory Politics: Hélio Oiticica's Parangolés| Eva Hesse's Influence Today? Conversations with Three Contemporary Artists| Reviews

Art Journal Fall 2004

Art and Risk| The Road to Dystopia: The Paintings of Antonia Eiriz| Unframe Malevich!: Ineffability and Sublimity in Suprematism| Netherzone: A Psychogeographical Farce| Other Solutions| A Parallax Practice: A Conversation with Elizabeth Diller and Ricardo Scofidio| Ana Mendieta and Carl Andre: Duet of Leaf and Stone| Reviews

Art Journal Winter 2004

Unsettled Imaginations| Envisioning Surrealism in Histoire de I'œil and La femme 100 têtes| History Images| Drastic Urbanization: The Photographs of Sze Tsung Leong| Neurotic Cities: Barnes in Philadelphia| Response to Jeremy Braddock| Jackson Pollock's Industrial Expressionism| Love among the Ruins: David Cannon Dashiell's Queer Mysteries| The Sculpture of Indeterminacy: Alison Knowles's Beans and Variations| Amazwi Abesifazane (Voices of Women)| Reviews